I also have drawn on the useful overview of major “Heterosexual hard-core conventions” discussed on (see ). The idea of “erotic daydreams” is discussed in Sweet Dreams: Erotic Plots (London: Karnac Books, 2009), a previously unpublished work by Robert Stoller, the influential psychiatrist known for his theories about human sexuality and “sexual excitement.” The other quotations in this section are taken from Paasonen’s extensive discussion of the constituent generic elements that define amateur porn today, which are connected to “classic” ideas and models see especially Chapter 3 in Carnal Resonance, pp. 1–12 and Lisa Perfetti, “Crusader as Lover: The Eroticized Poetics of Crusading in Medieval France,” Speculum 88.4 (2013): 932–957. Barfoot (Amsterdam/New York: Rodopi, 2006), pp. 1–24 Janine Rogers, “Riddling Erotic Identity in Early English Lyrics,” in “And Never Know the Joy”: Sex and the Erotic in English Poetry, ed. Bernardo (Burlington, VT: Ashgate, 2002), pp. 79–105 Martine Van Elk, “‘When Female Weakness Triumphs’: Torture and Perversion in Four Plays by Hrotsvit of Gandersheim,” in Gender Reconstructions: Pornography and Perversions in Literature and Culture, ed. Piero Boitani and Anna Torti (Cambridge, UK: D.S. 142–154 Barbara Nolan, “Promiscuous Fictions: Medieval Bawdy Tales and Their Textual Liaisons,” in The Body and the Soul in Medieval Literature, ed. 38–52 Simon Meecham-Jones, “Sex in the Sight of God: Theology and the Erotic in Peter of Blois’ ‘Grates ago veneri’,” in The Erotic in the Literature of Medieval Britain, ed. 179–202 Sarah Stanbury, “The Virgin’s Gaze: Spectacle and Transgression in Middle English Lyrics of the Passion,” PMLA 106.5 (1991): 1083–1093 Corinne Saunders, “Erotic Magic: The Enchantress in Middle English Romance,” in The Erotic in the Literature of Medieval Britain, ed. 85–104 Danuta Shanzer, “Latin Literature, Christianity and Obscenity in the Later Roman West,” in Medieval Obscenities, ed. In this case, the essays that follow serve as a solid starting point for considering some of these “obscene” subjects relative to medieval literatures in particular: Gaunt, “Obscene Hermeneutics in Troubadour Lyric,” in Medieval Obscenities, ed. Amanda Hopkins and Cory James Rushton (Cambridge: D. 280–295 Paul Saenger, “Silent Reading: Its Impact on Late Medieval Script and Society,” Viator 13 (1982): 367–414 and Kristina Hildebrand, “Her Desire and His: Letters Between Fifteenth-Century Lovers,” in The Erotic in the Literature of Medieval Britain, ed. Jacqueline Murray and Konrad Eisenbichler (Toronto: University of Toronto Press, 1996), pp. 233–245 Andrew Taylor, “Reading the Dirty Bits,” in Desire and Discipline: Sex and Sexuality in the Premodern West, ed. 193–213 Ruth Mazo Karras, “ Leccherous Songys: Medieval Sexuality in Word and Deed,” in Obscenity, ed. 176–190 Eckehard Simon, “Carnival Obscenities in German Towns,” in Obscenity, ed. 139–154 Patrick Ford, “The Which on the Wall: Obscenity Exposed in Early Ireland,” in Obscenity, ed. 105–123 Michael Camille, “Obscenity under Erasure: Censorship in Medieval Illuminated Manuscripts,” in Obscenity: Social Control and Artistic Creation in the European Middle Ages, ed. The following essays by no means represent an exhaustive list of the types of work mentioned, but are useful examples and good places to start reading on the subject of medieval obscenity: Jeremy Goldberg, “John Skathelok’s Dick: Voyeurism and ‘Pornography’ in Late Medieval England,” in Medieval Obscenities, ed.
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